What we did:

We came in and built the entire program and production operation from scratch, assembling the full team and delivering every element of the RCC Fringe program across four consecutive years.

• Curated and co-produced four annual Fringe programs, growing from 9,000 tickets sold in 2014 (the year before our involvement) to 75,000 in our first year alone

• Programmed over 40 international hit shows in year one, scaling to 30+ shows across 6 venues by 2018

• Managed and coordinated more than 200 artists across a 32-day festival in our final year

• Assembled and led the full production team - producers, publicists, technical and production managers, venue managers and front of house crew

• Worked with design and print agencies to produce festival brochures and targeted marketing campaigns

• Presented world-class works from across the globe including Post-post-modern-diva, Meow Meow, Soap, Barbu, and home grown super stars Briefs, and the internationally acclaimed Gravity and Other Myths

Event impact:

The numbers speak for themselves - a ticket sales increase from 9,000 to 75,000 in a single year is extraordinary by any measure. By 2017, the RCC program had achieved the highest number of awards of any Fringe venue that year, and the Guardian UK voted it Adelaide Fringe's best venue program, declaring it had the best "pick-any-show program on offer." Over four years, Bamboozled helped transform the Royal Croquet Club into a genuine flagship of Australian Fringe culture - a 250,000-strong annual event that became as much a part of Adelaide's Mad March as the Fringe itself.